![]() ![]() The Karunanidhi-Ganesan duo broke this monotony and went on to produce such all-time classics as Manohara and Raja-Rani, where the upcoming star is believed to have delivered a poetic piece of dialogue extending up to five minutes, with the correct diction and intonation, after hearing it just once. The films themselves were mostly mythological or historical, with contemporary social issues almost non-existent as themes. ![]() Till then, Tamil films, the craze of the southern peninsula, were publicised for the 55 song sequences they portrayed. The sharp, powerful dialogues running into reams and reams of pages and conveying strong social messages, delivered by a smart actor with 'chinky' eyes, were very different from the song-and-dance sequences that had been the staple of Tamil cinema from the beginning. Villupuram Chinnayamandayar Ganesan took Tamil filmdom by surprise in 1952 when his maiden venture, Parasakthi, penned by rising Dravidian ideologue Muthuvel Karunanidhi, was released. Sivaji: Actor who revolutionised Tamil cinema : Sivaji: Actor who revolutionised Tamil cinema ![]()
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